‘Whale Songs’ and the possibility of escaping the human

The video above was produced for the University of the Highlands and Islands “The Edge Conference” and includes performances of “Social Sounds From Whales at Night” by Emily Doolittle, “Geese Flying Over My Head and Into the Distance” by Electra Perivolaris and CETACEA by Katherine Wren and Alex South.

Nordic Viola and the Environment

A big focus for Nordic Viola in 2021 was the environment. The first of these projects was a collaboration with Emily Doolittle, Stuart McCrae and Sarah Hopfinger for the Royal Conservatoire of Scotland’s “Artmaking in the Anthropocene” series, funded by the Royal Society of Edinburgh. A call for scores yielded a rich and varied programme of music by primarily Scottish-based composers. (Lisa Robertson, Aileen Sweeney, Emily Doolittle, Antonia Kattou, Martin Suckling and Manchester-based Anna Appleby.)

Arbroath 2020+1

During the summer, Alex South (clarinet and electronics), Lesley Harrison (poet) and I performed “Whale Song” a programme of music and poetry by Lesley connected to the North Sea and North Atlantic at Arbroath 2020+1. I also performed “Birds and Landscapes of the North” alongside Gemma McGregor for Orkney Arts Society.

Sound Festival

In October, Alex and I performed at Sound Festival in Aberdeen in works relating to North Atlantic coastlines by Irish composer Karen Power, Scottish composer Oliver Searle as well as our own works.

Taking place shortly before COP26, one of Sound’s focuses for this festival was that it should be a “no-fly” festival, so I took the opportunity to travel in the way I enjoy most, taking 3 days to cycle up to Aberdeen.

Modern Chants

Finally, in November I worked together with Emily Doolittle on her graphic score, “Machair” in association with Ruta Vitkauskaite‘s “Modern Chants” project, which I will write about in more depth in a later blog.

The Edge – UHI

Following this block of work, it was an absolute pleasure to talk to some of these collaborators, Dr. Emily Doolittle, Dr. Lesley Harrison and Alex South about our work incorporating environmental sounds into our music, exploring music on the liminal edge between human and animal sound as well as the ethics behind using recorded natural sound and the respect that we should accord other species. The talk was presented as part of the University of the Highlands and Islands’ “The Edge” conference in December 2021 and you can watch it at the top of this page.

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