Sunday, 28 November 2021, 3.00pm – Sagas & Seascapes
Nordic Viola’s Sagas and Seascapes series culminates in Dunblane with our biggest ensemble yet as we perform Sibelius’ great tone poem, En Saga, in its original septet version.
Linda Buckley’s Aud, which was commissioned by Nordic Viola for Orkney International Science Festival, has been attracting a lot of attention since we first performed it online. It is currently a featured work in Creative Scotland’s #ClassicAll campaign and you can view a video performance of it here
Linda’s evocative score reimagines the journey of Aud the Deep-Minded from Norway and Ireland via Caithness, Orkney and Faroe to Iceland, where she was one of the early settlers in the 9th century. Linda wrote the piece during lockdown and, as well as telling the ancient story of Aud, the music is full of a sense of yearning to travel again to the Far North.
Lillie Harris’ Elsewhen explores the mystery of the ancient standing stones of Orkney. You can hear Lillie talking about the piece onsite in Orkney here.
The programme is bookended by the Danish String Quartet’s delightful arrangements of the Unst Boat Song from Shetland and The Dromer, a Danish folk dance based on the Scottish reel “The Drummer.” Both these tunes are taken from the Danish String Quartet’s Last Leaf album.
The concert starts at 3pm. To avoid queues, please pre-register contact details for NHS Test and Protect on this link: https://www.dunblanecathedral.org.uk/event/10525272
I’m sure that a lot of you will be intrigued by the beautiful paintings above. They were specially commissioned by Nordic Viola for our Sagas and Seascapes series from Orla Stevens. Orla is currently resident in Callander, but grew up in Dunblane. She travelled with myself and the composers to Orkney to explore the landscapes and concepts behind the music.
Orla’s beautiful prints connected to the music will be available to order at the concert, alongside greetings cards with her beautiful images. If you can’t wait that long, you can also order them here.
Orla talks about her work on the project here: