Return to Orkney and a Recital in Iceland

Last week I travelled up to Orkney – not with Nordic Viola this time, but with the Royal Scottish National Orchestra for the St. Magnus Festival. Nevertheless, with our performance of Sagas and Seascapes at the Edinburgh Festival Fringe as part of the Made In Scotland Showcase just 2 months away, returning to Orkney a year after we filmed there was an emotional experience.

Passing the Old Man of Hoy which features in our film of Linda Buckley’s Aud and then rounding the corner of Hoy and seeing the mountains exactly as captured in Orla Steven’s painting to Elsewhen by Lillie Harris.

On Sunday I had time to travel to Rousay, a new island for me. The weather was wild, with gale force winds. I found myself wondering how Aud would have experienced this coastline back in the 9th century, what her emotions were as she passed the imposing cliffs on her way to a new life in Iceland.

Cycling on the south side of Rousay, we looked across Eynhallow sound towards the Broch of Gurness where Gemma McGregor reflected on the journey of St. Magnus to his death in Egilsay. The tidal races through the sound are famously fast, and we were treated to a view of them in full flow. Travelling back to Tingwall on the mainland, I saw St. Magnus’ Chruch on Egilsay for the first time. You can read more about the influence of Magnus’ story on Gemma McGregor over on our sister site, sagasandseascapes.com

I felt the ghosts of these ancient peoples all around me after working so intensively with Craig Sinclair over the last few weeks on new film for our first multimedia live performance of Sagas and Seascapes at the Scottish Storytelling Centre 15th-17th August. Book your tickets here. If you can’t make it to Edinburgh, we will also be screening it online on 18th August. Tickets are free here. The screening will be followed by a zoom Q and A with the composrs, artist Orla Stevens and myself.

Recital in Iceland

After briefly touching base, I’ll be travelling to Iceland for the first time since 2019 to perform in the Summer Concert Series at the beautiful Bláakirkjan in Seyđisfjörđur in the East Fjords on 6th July. I’m really looking forward to performing again with pianist Arnhildur Valgarđsdóttir in what I’m sure will be a special event. The last time I played in this gorgeous church with a wonderful acoustic was right at the start of my travels with Nordic Viola in 2016. Back then, I had no idea that Nordic Viola would grow into the project that it is now.

I’ve been enjoying repertoire new and old as I practise for the concert. I’ve been getting to know Jón Thorarinsson’s sonata, which was written originally for clarinet. It’s a delightful three-movement work, full of melody and some jaunty rhythms. Thorarinsson was actually born in Eiðar near Egilsstaðir, just up the road from Seyðisfjörður and a place I know very well!

On a much larger scale is Adrian Vernon Fish’s “Qaanaaq Sonata” inspired by the eponymous settlement in North Greenland. It’s a monumental work which challenges both players and moves from the starkness of the Arctic landscape, through a warm, lyrical melody ( melody is a real feature of Adrian’s music) and onto a wild and exhilarating dog-sled ride in a rather funky 13/8 rhythm. As I play, my thoughts will be with one of the driving forces in music education in Greenland, Per Rosing, who is currently in hospital in Denmark.

Whilst l’m in the East Fjords, I hope to have a few days’ holiday in Borgafjörđur Eystri on the north east coast and to catch up with friends in Egilsstađir.

I know many of you really enjoy following Nordic Viola’s trips to the Far North. It’s been a long hiatus and I hope you’ll enjoy hooking up with me and learning more about the music, cultures and landscapes of this most stunning and intriguing part of our beautiful planet. I can’t wait to travel North once more!

Dunblane Cathedral Arts Guild – Sagas & Seascapes

Sunday, 28 November 2021, 3.00pm – Sagas & Seascapes

Nordic Viola’s Sagas and Seascapes series culminates in Dunblane with our biggest ensemble yet as we perform Sibelius’ great tone poem, En Saga, in its original septet version.

Aud by Orla Stevens

Linda Buckley’s Aud, which was commissioned by Nordic Viola for Orkney International Science Festival, has been attracting a lot of attention since we first performed it online. It is currently a featured work in Creative Scotland’s #ClassicAll campaign and you can view a video performance of it here

Linda’s evocative score reimagines the journey of Aud the Deep-Minded from Norway and Ireland via Caithness, Orkney and Faroe to Iceland, where she was one of the early settlers in the 9th century. Linda wrote the piece during lockdown and, as well as telling the ancient story of Aud, the music is full of a sense of yearning to travel again to the Far North.

Elsewhen by Orla Stevens

Lillie Harris’ Elsewhen explores the mystery of the ancient standing stones of Orkney. You can hear Lillie talking about the piece onsite in Orkney here.

The programme is bookended by the Danish String Quartet’s delightful arrangements of the Unst Boat Song from Shetland and The Dromer, a Danish folk dance based on the Scottish reel “The Drummer.” Both these tunes are taken from the Danish String Quartet’s Last Leaf album.

The concert starts at 3pm. To avoid queues, please pre-register contact details for NHS Test and Protect on this link: https://www.dunblanecathedral.org.uk/event/10525272

Orla Stevens

I’m sure that a lot of you will be intrigued by the beautiful paintings above. They were specially commissioned by Nordic Viola for our Sagas and Seascapes series from Orla Stevens. Orla is currently resident in Callander, but grew up in Dunblane. She travelled with myself and the composers to Orkney to explore the landscapes and concepts behind the music.

Orla’s beautiful prints connected to the music will be available to order at the concert, alongside greetings cards with her beautiful images. If you can’t wait that long, you can also order them here.

Orla talks about her work on the project here:

Sagas and Seascapes (Orkney) available to view online

Our documentary/concert film “Sagas and Seascapes”, featuring interviews with the composers, stunning film footage and artwork produced specifically for the film, as well as two world premieres was streamed by Orkney International Science Festival last Friday.

It’s now available to view at your leisure on YouTube.

Additionally, if you enjoyed Orla Stevens’ amazing artwork for “Carry is Relics” (Gemma McGregor), “Elsewhen” (Lillie Harris) and “Aud” (Linda Buckley), you can now buy cards (prints coming soon!) of the images from https://www.orlastevens.com/shop-prints?Printed+Art=Cards

Filming in Orkney

Composers Lillie Harris, Linda Buckley and Gemma McGregor with artist Orla Stevens

Early July was a landmark for Nordic Viola: our first trip north since September 2019 and our first live performance since Covid-19 started. We headed out to Orkney with 3 composers, a landscape artist, a video producer and me – the largest team we’ve ever taken on tour and our most ambitious project yet.

Film footage is for our “Sagas and Seascapes” film that will air at Orkney International Science Festival on 3rd September and the goal was to place three of the composers, Gemma McGregor, Lillie Harris and Linda Buckley, in the landscapes that inspired their music. Artist Orla Stevens and video producer Craig Sinclair would document their reactions as well as incorporating their own creative responses to place.

The theme uniting all three pieces is Orkney’s history and genetic heritage. Central to our narrative is “Aud”, the remarkable woman who, in the 9th century set sail from Caithness to Iceland. On her way to settling in North West Iceland, she landed in Orkney, where one of her granddaughters, Gróa, was married. Remarkably, in Erik the Red’s Saga we can trace Aud’s line via Gróa and her daughter Grélaður, who married Thorfinn Torf-Einarsson, Earl of Orkney (also known as Thorfinn Skull-splitter) into the Orkneyinga Saga and down to Saint Magnus, subject of Gemma McGregor’s “Carry His Relics.” Gemma’s piece reflects on the journey of Magnus’ relics along what is now the St. Magnus Way and we explored the historic links through the ages as we traced the first part of this journey from the Broch of Gurness to the Brough of Birsay where Magnus was schooled in the monastery.

The Broch of Gurness is a remarkable place. Craig had us up bright and early and so we had the privilege of having the site to ourselves, a very special experience. Dating back to the Iron Age, this site, like our programme, also links into later Viking settlements, as the grave of a Viking woman was found at Gurness, along with some grave-goods – a sickle blade and a pair of ‘tortoise’ brooches.

As we visited this and other older, prehistoric sites such as the Stones of Stenness, Ring of Brodgar and Maeshowe, which all inspired Lillie Harris’ “Elsewhen” we talked about how “Aud”, too, may well have shared in our wonder at these ancient sites, too. This promoted many discussions about how humans perceive time and whether these sites would have seemed just as ancient to Aud as they do to us – how exactly do humans measure timescales over thousands of years? For me, these musings are strongly represented in the eery, slightly disturbing quality of Lillie’s music.

Our filming culminated with interviews in St. Magnus Church, Birsay, generously hosted by Robin Barr and preceded by some much-needed downtime over a packed lunch (and the famous Birsay  tea shop pies!) in Robin and Anne’s beautiful garden. During filming, Orla had taken time to sketch down some preliminary ideas and, in her wonderfully natural and enabling way, she encouraged us to express ourselves by drawing down by the beach between interviews – even those like me who haven’t produced any art since secondary school! Orla stayed on in Orkney to consolidate her ideas and you can read some of her initial thoughts here.

A Live Concert

Trips north with Nordic Viola are always packed affairs as we pack in as much activity as we can. One of the reasons for this is to lessen environmental impact by traveling less frequently but also simply from a desire to make the most of our time in the islands.

And so Gemma and I collaborated with Orkney Arts Society to give one of the first live events in Scotland since lockdown ended. I cannot even begin to explain to you how sweet it felt to play to a live audience again. Even with a masked audience, that feeling of connecting with people again was so special. One of the most important things for me in Nordic Viola is meeting after concerts to share experiences with audiences. Even at level 0, distance still needed to be respected but it felt so nice to talk informally with people after the event.

Our programme was entitled “Birds and Landscapes of the North” and included music for viola and flute by talented young Scottish composers Electra Perivolaris, Ailie Robertson and Kristain Rasmussen as well as Faroese composer Kári Bæk. I also performed live on my new viola d’amore for the first time in my arrangement of traditional Shetland tune “Da Day Dawn” and “Tirrick” (Orcadian for Arctic Tern) a reel I commissioned from Fiona Driver. Thanks to generous funding from Chamber Music Scotland’s Transition Fund, Gemma wrote a companion piece to “Carry His Relics” called “The Trysted Shore”. Inspired by George Mackay Brown’s poem “Magnus” (this year mark’s GMB’s centenary) it depicts Magnus’ betrayal on the island of Egilsay.

A note on travel and sustainability

Before I wrap up this blog, I’d just like to reflect briefly on our travel choices for this trip. As the world deals with the climate emergency, travel is becoming a point of focus for many musicians. Travel is obviously intrinsic to the Nordic Viola project so it is vital to consider how this is done with minimal impact.

A lifelong cyclist, this has been an intrinsic part of my thinking since my twenties. However, I do recognise that not everyone wants to be subjected to travelling the length and breadth of Orkney in a howling gale with instrument  (and tent) strapped to back. I actually also believe that being too dogmatic is not always the best way to persuade people to change transport habits. For me, the most important premise is to carefully think through travel options and to understand the impact they have, making balanced, informed choices.

I asked the team where possible to choose surface transport and this was, in the main, achieved. A couple of people did need to fly due to scheduling constraints, but again, the important point is that other alternatives were explored first. Our hand was also forced by the fact that Scotrail is not currently offering a Sunday service.

Some car use was necessary to carry filming equipment. I was also concerned at rising Covid cases in Orkney at that time. After a fair bit of soul searching, I decided that the safety of my team, the island population and the need to maintain bubbles within the two accommodation groups was paramount. We did carshare but ended up using one more car than I’d wanted to. I feel quite uncomfortable about that but I believe it was a pragmatic decision in light of the circumstances. I still managed to travel back from the final session by bike (into a howling gale, of course!) as well as touring on my free days on two wheels. I am also proud that my team only own 2 vehicles between 6 people plus partners. Hiring and borrowing vehicles leads to lower car use in the longterm and I’d love to see more people considering this.

Nordic Viola is supported by:

Linda Buckley is supported by:

The concert for Orkney Arts Society, including a new commission by Gemma McGregor was supported by:

Heading north and a live concert!

This week is a landmark week for Nordic Viola in several respects. First and foremost, it’s the first time we’ve headed north since UHI’s Shoormal Conference in September 2019. (Little did we know then what was coming.) It seems an age ago and yet, in the scheme of things, 2 years isn’t so long.

So what are we up to? We have a team of composers (Linda Buckley, Lillie Harris and Orkney-based Gemma McGregor) and a video producer (Craig Sinclair) going to Orkney to film content for our online concert for Orkney International Science Festival, which will be premiered on 3rd September. It’s quite an operation in the covid age, but a process that musicians and producers alike are having to get used to in this strange new world. Pre-travel testing, health questionnaires, rigorous planning to allow for safe travel, accommodation and distancing whilst working.

Hopefully all will go to plan, we can enjoy the amazing history and scenery that Orkney has to offer and produce some exciting and engaging content.

Another landmark moment is working with a visual artist, Orla Stevens. Orla will interpret the landscapes and seascapes around us as well as interpreting the emotional responses of the composers as they explore the places that inspired their music.

Finally, and perhaps most importantly, the 2nd July marks Nordic Viola’s return to live performance and I am so happy that this should happen in the Northern Isles. Gemma McGregor and I  will perform a programme of music for flute and viola entitled “Birds and Landscapes of the North.” We will play some of our own music as well as music by Ailie Robertson and Electra Perivolaris, two of the most exciting young composers on the Scottish scene. The Faroes and Denmark will be represented with pieces by Kári Bæk and Kristain Rasmussen, who is currently studying in Aberdeen. There’ll also be traditional music from Shetland and Orkney and a brand new tune composed for the occasion by Orkney fiddler, Fiona Driver.

The concert is promoted by Orkney Arts Society and takes place on 2nd July in Stromness Town Hall from 7:30pm. Tickets available from Eventbrite. https://www.eventbrite.co.uk/e/birds-and-landscapes-of-the-north-tickets-158727304641?aff=erelpanelorg

The concert is supported by Chamber Music Scotland’s Transmission Fund, which has enabled a new commission from Gemma McGregor for viola and flute.

Filming is supported by Creative Scotland and, for Linda Buckley, PRSF Women Make Music.

June update – Sagas and Seascapes Recording, Competition and a Live Concert!

The end of May saw Nordic Viola playing together under the same roof for the first time since March 2020! And what a way to start, bringing our new commission, “Aud” by Linda Buckley, to life for the first time as we recorded “Sagas and Seascapes” for Orkney International Science Festival 2021. It’s always an amazing feeling to realise a new work and I love that collaborative process of working with a composer as we work together to unite the concepts of what they imagined as they created the music and how we interpret those dots as performers.

Covid made that experience slightly unusual as we went straight into the recording studio with “Aud” and still haven’t heard the complete score. I’m on absolute tenterhooks whilst Linda and our amazing recording team, Hedd Morfett-Jones and Simon Lowden work their magic and unite musicians with the electronic soundtrack.

Already the music has such a strong sense of journeying, depicting as it does Aud the Deep-Minded‘s journey from Ireland via Caithness, Orkney, and the Faroes before settling in Iceland. There is so much energy in the shifting textures and a sense of the music “flickering” through the distinct timbres of the three string instruments and the clarinet. It’s easy to think of string instruments as one body, but Linda’s writing really highlights how the colour of each pitch can vary across the three instruments.

There’s also a strong sense of yearning in the music – perhaps for that very human desire to be on the move and to explore that so many of us have missed during lockdown.

UK premiere of new Faroese work

We are also extremely grateful to the Aura Duo for allowing us to give the UK premiere of upcoming Faroese composer Eli Tausen á Lava’s Søgnin um Kópakonuna í 10 Myndum

Søgnin um Kópakonuna í 10 Myndum (Faroese: the Legend of the Seal Woman in 10 Pictures) is inspired by a set of 10 drawings by Faroese artist Edward Fuglø, which were originally drawn for the 2007 stamp issue titled Kópakonan (the Seal Woman).

Edward Fuglø’s drawings illustrate the Faroese legend of a female selkie, a mythological Ecapable of transforming from seal to human by shedding its skin, who is forced to live as a human when a young man from the village of Mikladalur steals her sealskin.

Søgnin um Kópakonuna í 10 Myndum was commissioned by Aura Duo and was composed with the support of Koda Kultur. The piece was due to be premiered in the Faroes in 2020/1 but has had to be postponed due to Covid. We’ll be introducing Eli and the Aura Duo to you in August.

Elsewhen by Lillie Harris

In our biggest ensemble to date, we recorded Lillie Harris‘ “Elsewhen” an incredibly eery, almost primitive at times (think stomping, Rite-of-Spring-style chords) depiction of Orkney’s prehistoric monuments and how they have come to us through time. “Elsewhen” is written for flute, clarinet and string quartet and, as well as its eery textures and footstamping rhythms, it features yearning melodies in the wind instruments and violins.

Lillie is an old friend of Nordic Viola, writing my first commission, “AND” for solo viola. She has an uncanny way of capturing the essence of a place, sometimes prior to even visiting it. “Elsewhen” was originally composed for the St. Magnus Composers’ Course in 2017.

As well as our audio team, we had Craig Sinclair working on video and Matthew Smith on lighting and, as you can see above, they created a stunning stage for us to work on. We consider ourselves very lucky to have been able to record in the RSNO’s purpose-built New Auditorium.

Filming in Orkney

Craig is now in the driving seat as the composers, Linda Buckley, Lillie Harris and Gemma McGregor head to Orkney to capture footage of the landscapes, monuments and tales that inspired their music. Craig and I first worked together on “Histories and Herstories” during lockdown last year. Despite being reliant on stock footage, I loved how he matched the rhythm of the music with film and I’m eager to see how much more can be done when he is set free to film on location.

In another first for us, the emotions of the composers as they explore these historic sites and experience the nature and seascapes of Orkney will be captured and interpreted by landscape artist Orla Stevens. Orla, too is fascinated by seastories and landscapes and often captures the energy of the sea in paintings with a considerable textural element to them. She is also a keen musician and is interested in exploring the parallels between rhythm in music and art. I’m very excited and intrigued to see how she interprets these musical worlds.

Seastories Competition

We’re at the halfway point in our Seastories Competition. We’ve received some very imaginative entries from Shetland, the Faroes and Greenland. Last Saturday Gemma McGregor led our first international zoom workshop alongside myself and Faroese trombonist and, on this occasion, interpreter, Dávur Juul Magnussen.

We explored ways of creating music about the sea and the techniques we could use to expand our musical ideas. We also took time to share our experiences of the sea in our home countries and explored common stories, such as legends across the North Atlantic about seals, and also explored Norse words that have survived in dialect in the Northern Isles. At a time when travel is nigh on impossible, I hope we were able to help the young people imagine a world beyond their own shores and to connect with others whose cultures overlap with ours.

We’ll announce our competition winners next week.

Live in Orkney

I’ll leave you with a wee teaser – whilst I’m in Orkney, I’ll be performing in a programme entitled “Birds and Landscapes of the North” with composer Gemma McGregor on flute. We’re in Stromness Town Hall on Friday 2nd July at 7:30pm and you can buy tickets here. Tickets are strictly limited due to Covid, so you need to book in advance.

More on the programme next time.

As you can see, there’s a lot happening with Nordic Viola at the moment. If you want to stay up-to-date, you can subscribe here:

Finally, I’d like to thank our funders: Creative Scotland, PRSF Women Make Music for supporting Linda Buckley, The Royal Philharmonic Society Enterprise Fund for allowing me to learn more about video alongside Craig Sinclair and the William Syson Foundation for supporting our education work.

Sea Stories – A competition for Young People

Sea Stories-konkurrence – See below

Sea Stories keppni – See below

Are you fascinated by the sea, the sound it makes and the stories it tells?

Are you a young musician aged 12-18 living in the Scottish Islands, Faroes, Iceland or Greenland?

Are you interested in sharing the music and stories of your home country with other young people from around the North Atlantic?

Then this competition from Nordic Viola is for you.

  • Write or record a tune or a short piece of music max. 3 minutes
  • You can play (or sing) the music on your own instrument or with your friends, or you can write a tune for us. We play flute, violin/viola and trombone
  • Send your entry by 5th June 2021
  • You can send your music as a PDF file or you can record mp3 audio or mp4 video
  • Submit your via google forms or email it to nordicviola6@gmail.com with your name, where you come from, a few sentences about your tune and your email address
  • We will select up to 15 tunes
  • Selected entrants will be notified by 7th June 2021 and invited to join a workshop on zoom
  • Following the workshop, one tune will be selected for Nordic Viola’s online concert on 3rd September 2021 for Orkney International Science Festival
  • After the festival we will release a short highlights video from the workshopped pieces

Privacy and safeguarding policy

Sea Stories-konkurrence – Nordic Viola

Bliver du fascineret af havet, havets lyde og de historier, det fortæller?

Er du en ung musiker i alderen 12-18 år, der bor på de skotske øer, Færøerne, Island eller Grønland?

Er du interesseret i at dele musikken og historierne i dit hjemland med andre unge fra hele Nordatlanten?

Så er denne konkurrence fra Nordic Viola noget for dig.

• Skriv eller optag en melodi eller et kort stykke musik max. 3 minutter

• Du kan spille (eller synge) musikken på dit eget instrument eller med dine venner, eller du kan skrive en melodi til os. Vi spiller fløjte, violin/bratsch og basun

• Deadline for tilmelding er 1. juni 2021

• Du kan sende din musik som en PDF-fil, eller du kan optage mp3-audio eller mp4-video

• Indsend via google-formularer eller mail den til nordicviola6@gmail.com med dit navn, hvor du kommer fra, et par sætninger om din melodi og din e-mail-adresse

• Vi vælger op til 15 melodier

• Udvalgte deltagere vil blive underrettet den 7. juni 2021 og opfordres til at deltage i en workshop om zoom

• Efter workshoppen vælges en melodi til Nordic Viola’s online koncert den 3. september 2021 til Orkney International Science Festival

• Efter festivalen frigiver vi en kort video med højdepunkter fra workshop

vores privatlivspolitik

Sea Stories keppni – Nordic Viola

Heillar sjórinn þig ? Hljóðin frá sjónum og sögurnar sem sjórinn geymir?

Ert þú ungur tónlistarmaður á aldrinum 12-18 ára og býrð í Skotlandi, Færeyjum, á Íslandi eða Grænlandi?

Hefðir þú áhuga á að deila tónlist og sögum heimalands þíns með öðru ungu fólki við Norður-Atlanshafið?

Þá gæti þessi keppni frá Nordic Viola verið fyrir þig. 

  • Sendu inn lag , hljóðritað eða á nótum, hámark þrjár mínútur að lengd.
  • Þú getur leikið á þitt aðal hljóðfæri eða sungið , ein/einn eða með öðrum, frumsamdar tónsmíðar velkomnar.
  • Við spilum á flautu, fiðlu/víólu  og básúna.
  • Skilafrestur er til 1. júní 2021.
  • Það má senda tónlistina á mp3, mp4, eða á nótum á pdf-formi.
  • Senda má í gegnum google forms’ eða á netfangið nordicviola6@gmail.com, þar sem fram kemur nafn þitt og netfang , heimaland og stuttur texti um lagið.
  • Við veljum allt að 15 þátttakendur. Þeir verða látnir vita 7. júní 2021 og þeim boðið að taka þátt í tónsmiðju á zoom þann 12. júní.
  • Í framhaldi af smiðjunni verður  eitt laganna  valið til flutnings á tónleikum  í tengslum við hina Alþjóðlegu Vísindahátíð Orkneyjar þann þriðja september 2021,
  • Einnig verða sýnd valin brot úr tónsmiðjunni.

Persónuverndaryfirlýsing

Supported by:

Sagas and Seascapes Launches

2020 saw Nordic Viola’s first foray into online concerts with our popular Histories and Herstories video performance. As our lives open up and we can once more work in the same space, we are excited to announce our new and ambitious Sagas and Seascapes programme which, once again, we will be producing alongside the Orkney International Science Festival.

Norse stories and landscape around the northern sea-routes form the inspiration for this concert. Scottish-based Irish composer Linda Buckley’s Aud draws on the settlement of Iceland, while Lillie Harris’ sextet Elsewhen seeks to capture the atmosphere of Orkney’s ancient sites. In Carry His Relics for flute and viola, Orkney composer Gemma McGregor describes the journey of the remains of St Magnus from Birsay to Kirkwall, along the present-day St Magnus Way. Eli Tausen á Lava from Faroe reflects on legends of the Selkies in Søgnin um Kópakonuna í 10 Myndum for flute and clarinet and his compatriot, Kári Bæk, depicts the ever-changing sea in Wogen. The Danish String Quartet’s dynamic arrangement of The Dromer offers a rousing finale.

Audiences loved film footage of the Far North last year as well as the chance to hear the composers speak about their music, so once again we’ll be working with videographer Craig Sinclair. Composers Linda Buckley and Lillie Harris will travel to Orkney with me to join Orcadian composer Gemma McGregor on location. The composers will share their impressions of the landscapes and ancient sites that inspired their music, offering an insight into their creative processes.

A new and exciting innovation this year is inviting landscape artist Orla Stevens onto the project. In common with the music creators on the project, Orla’s work is influenced by expressive responses to sounds and images of the landscape, as well as the emotional experience that being in nature has on the psyche. In conversation with the composers and incorporating her own emotions on being onsite in Orkney, Orla will develop a series of paintings expressing the emotions of the sagas and seascapes explored through music as the programme mirrors Aud’s journey from Orkney, through the Faroes and finally settling in North-West Iceland.

Making music with young people is fundamental to Nordic Viola. Responding to the challenges of travelling during the pandemic, we’ve decided this year to unite young people from around the North Atlantic by running a competition to write a tune for us. We’ll select up to 20 young people to join in online workshops working with myself, Gemma McGregor and Faroese trombonist Dávur Juul Magnussen to develop their ideas. From these workshops, one piece will be chosen to feature in our main concert video and 5 others will feature in a short video of the project in the autumn. More information on that very soon!

I’ll be keeping you up-to-date as the project progresses. If you want to be amongst the first to hear about our recording sessions next month and our on-location filming in Orkney in June, then why not subscribe?

This exciting and ambitious programme has been made possible through the generous support of the following organisations:

Creative Scotland for general project support

for supporting our commission of linda Buckley’s “Aud”

for supporting the competition and workshops

our partners and hosts

April News Update

Histories and Herstories

Raising the profile of music by women

There’s lots going on with Nordic Viola this month. First of all, one year after it was meant to happen, our “Histories and Herstories” concert will be streaming online for the University of the Highlands and Islands’ Institute of Northern Studies on 16th April from 4:15pm. The concert is part of the 5th International St. Magnus Conference, which this year focuses on the role of women in island life and features speakers from all around the North Atlantic as well as further afield.

Our programme of music by women composers ranges from traditional tunes from Orkney (Fiona Driver), Shetland (Margaret Robertson) and Iceland (arranged by Jocelyn Hagen) to new music from Greenland in our commission from Arnannguaq Gerstrøm that depicts winter in the Arctic. There’s also music reflecting on climate change and the landscape by Lisa Robertson, and migration, human and avian, by Anna Appleby. Other composers include Gemma McGregor and Lillie Harris.

This concert proved to be one of the most popular events in Orkney International Science Festival’s 2020 festival. As well as the music, people commented on the beautiful images of the Far North in the video. Here’s a little taster featuring the Faroe Islands in Mjørkaflókar, composed by me and students from Anderson High School in Shetland. https://www.youtube.com/watch?v=2sakvHqCVPM

If you didn’t hear the concert last time, make sure you set a reminder by clicking on this link for the 16th at 4:15 BST. https://www.youtube.com/watch?v=ZosZA_ZG_fM If you heard it and enjoyed it, please share far and wide with your friends and acquaintances!

Art-Making in the Anthropocene

Our second concert this month is for the Art-Making in the Anthropocene Series hosted by the Royal Conservatoire of Scotland.

Art-Making in the Anthropocene is a series of 8 free online talks/discussions and an online concert, which bring together Scottish and international artists, activists, and academics from across disciplines to explore what art-making can be in this time of ecological emergency.

Art-Making in the Anthropocene is funded by a Royal Society of Edinburgh Research Workshop grant, and co-organized by Dr Emily Doolittle, Dr Sarah Hopfinger, and Dr Stuart MacRae at the Royal Conservatoire of Scotland.

Our concert features music with a connection to the environment and humankind’s relationship with it. All the composers have a strong connection to Scotland. Some of them are old friends of ours, but we also issued a call for scores and we’re excited to bring you some new voices from the thriving contemporary music scene here in Scotland.

We’re also partnering with the Ear to the Ground Podcast who interviewed our composers for the concert and who will be presenting an issue of the podcast focusing on the ideas behind the concert. I’ll share the links with you, as well as more information on the composers and music, nearer the time.

Art-Making in the Anthropocene is supported by:

Aud by Linda Buckley

Finally, a taster of news about an exciting project that we’ll be working on between May and September this year.

This week I received our new commission from Linda Buckley, supported by PRSF Women Make Music. Aud is a new piece for clarinet, violin, viola, cello and electronics and it will form the centrepiece of our new programme, “Sagas and Seascapes.” It depicts Aud’s journey from Ireland, via Orkney to Iceland, where she was one of the early women settlers. Featuring an atmospheric electronic track and with music brimming with energy, we can’t wait to start work on it.

Much more news to follow on “Sagas and Seascapes” in May. Add your email address below to subscribe and you’ll be amongst the first to hear about our exciting plans!

Histories and Herstories at Orkney International Science Festival 4th Sept

©Martin Stewart

I hope you have enjoyed our series on women composers. I am delighted to announce that we will be presenting the full programme in an online video performance for Orkney International Science Festival on 4th September at 20:30 BST:

Nordic Viola reflects on female experience of landscapes and community from the Northern Isles to Greenland in music by women composers for string quartet. Highlights include ‘Machair’ by Highland composer Lisa Robertson and music influenced by Orcadian history and the Hardanger fiddle style by Gemma McGregor. Greenland’s only classical composer, Arnannguaq Gerstrøm, reflects on winter whilst English composer Lillie Harris depicts the full fury of a Shetland storm. Anna Appleby’s evocative ‘Hrakningar’ includes migrating geese from Iceland, and American Jocelyn Hagen offers a new take on the haunting Icelandic lullaby ‘Sofðu Unga’. There are new tunes reflecting on motherhood and the wild Orcadian weather by traditional fiddlers Margaret Robertson (Shetland) and Fiona Driver (Orkney)

As well as the music, you can meet many of our composers talking about the themes and landscapes that inspire their work and, indeed, see some of those landscapes for yourself in the beautiful video work put together by Craig Sinclair Video. We’re also joined in performance by two students from Tórshavn Music School in the Faroe Islands.

As Orkney International Science Festival celebrates Scotland’s Year of Coasts and Waters 2020 there are many more virtual events to enjoy, including more concerts and performances, virtual outings and foraging, food and drink, exhibitions and talks. Why not join Nordic Viola and immerse yourself in a week of Orcadian culture?

After you have enjoyed our performance on 4th September, if you would like to support us in paying our musicians and composers fairly and also help us extend our reach through education work, you can donate the price of a coffee (or more if you’d like to!) at https://www.buymeacoffee.com/NordicViola or paypal.me/katherinewren1

In partnership with UHI’s Institute of Northern Studies and funded by Creative Scotland, Ambache Charitable Trust, RVW Trust and the Year of Coasts and Waters.

Raising the profile of music by women