Concert day in Kirkwall dawned bright and clear. A morning at Scapa Beach was enjoyed by all before heading down to King Street Halls. It was an absolute pleasure to play in the wonderful acoustic of this beautifully converted building, which works equally well as a church and a concert venue.
The first half of the concert featured music by composers from Orkney (Gemma McGregor, Fiona Driver), Shetland (Margaret Robertson) and the Faroes (Kári Bæk) as well as music about these islands by British composers Lillie Harris, Judith Weir and Adrian Vernon Fish.
We have so enjoyed playing Gemma’s “Betrayal” (click on the link to listen). It is such passionate music, vividly portraying the conflicting emotions of St. Magnus as he contemplates his betrayal and eventual death. “Yellow Gorse” was a last minute addition but it is such a beautiful tune and suits the viola so well that it had to go in the programme.
It was the perfect foil to Lillie Harris’ tempestuous piece “AND”, which depicts the full force of a Shetland storm. Nice to play this in Orkney exactly two years since it received its premiere in Shetland.
Another Orkney/Shetland connection came in the pairing of “Weird Tune” and “Shaela”. Margaret and Fiona share the same fiddle teacher. Having got to know Margaret well, it was great to finally meet Fiona at the concert. We got to share ome tunes later in the weekend, too.
Meeting people and sharing stories of the North Atlantic is a vital part of the Nordic Viola project and all the musicians enjoyed meeting the audience in the interval, learning more about the region and talking about people we knew (Kristian Blak’s name always crops up). I’ve a lot of stories and music to follow up on now I’m home, particularly regarding the sharing of fiddle tunes on the old whaling trips up to Greenland.
Greenland and Iceland were the focus for the second half of the concert with Þorkell Sigurbjörnsson’s wonderfully attractive arrangements of Icelandic folk songs, Fiðlufrænkur. We had hoped to premiere the whole of Adrian Vernon Fish’s “Sermitsiaq” Trio, which depicts the eponymous mountain in Greenland. Sadly a late and unavoidable change of cellist meant we only performed the Finale, but it’s given us a real taste for the piece and we will perform the whole work soon!
Arnannguaq Gerstrøm’s joyful depiction of winter in Greenland, “Ukioq”, composed for us in 2017 was the cue for some dance music to end the programme. Both Greenland and Orkney have many polkas, so we played a Greenland set and then ended the concert with the famous Orkney polka, “Maggie Watson’s Farewell to Blackhammer.”
Joining me for Nordic Viola in Orkney were Gemma McGregor (flute and piano), Anne Bünemann (violin) and Peter Hunt (cello).
We are very grateful for the support of the following organisations who enabled us to put on this concert in Orkney: