Lisa Robertson is a composer from the West Highlands of Scotland. Although her community on the Morvern Peninsula is technically on the mainland, many aspects of life there are similar to life in the Northern Isles. The easiest way to get there is by ferry, (Corran ferry near Fort William or via the Isle of Mull). It is a coastal landscape with a similar ecology. The landscape is frequenty battered by storms and extreme weather, building a resilience into the close-knit communities. The sea is central to life here, providing jobs in fishing, tourism and transport and this fosters a strong sense of the importance of environmental protection for the communities.
The sea features strongly culturally, too, as does traditional music-making. These, along with seabirds, are the elements that figure most prominently in Lisa’s piece “Machair” for string quartet.
Machair is low-lying pastureland in the north-west of Scotland and Ireland. There is a balance between the wildness of nature and the managed traditional grazing that happens on the land. In many ways it is symbolic of mankind working with, rather than against nature. As it is low-lying, it is vulnerable to climate change and rising sea levels
In her piece, Lisa reflects this interaction between mankind and nature by combining human and natural sound. She transcribed the calls of twite, dunlin, lapwing, redshank and sanderling and took material from the Gaelic song, “Oh who will take this yearning from me.” In this song, the female singer tells of how the people who wronged her would like to see her taken “down the Machair”, or to the graveyard. The players are asked to hum, linking human with natural sounds. The final element in the music is a dark and foreboding gesture in the cello that appears periodically in the music. This represents the threat of climate change.
Lisa is currently undertaking a PhD at the Royal Conservatoire of Scotland with Emily Doolittle and Bill Sweeney. Her music has been included in the programmes of the BBC Scottish Symphony Orchestra with Thomas Dausgaard and the Slovak Sinfonietta as well as the Czech Philharmonic Orchestra, Red Note Ensemble, Hebrides Ensemble. Her music has also been played in festivals including Cheltenham Festival, West Cork Chamber Music Festival, Sound Festival, Edinburgh Fringe Festival, and on BBC Radio 3 as well as performing her own solo violin piece at Huddersfield Contemporary Music Festival 2019. She is featured in the August 2020 edition of BBC Music Magazine’s ‘Rising Stars’ column. You can learn much more about this exciting young composer and listen to more of her music here: https://www.lisarobertsonmusic.com/