Sagas and Seascapes at Northern Stories Festival 11th October

Sagas and Seascapes will be part of the Northern Stories Festival at Lyth Arts in Caithness on Tuesday 18th October at 8pm. Northern Stories Festival 2022 is a spectacular celebration of the stories of the Far North of Scotland, taking place across Caithness this October. 

Nordic Viola will screen Craig Sinclair’s Sagas and Seascapes film alongside live performance by Katherine Wren on viola of Variations on a Faroese Hymn Tune by William Heinesen, Wogen by Kári Bæk and The Drummer, a traditional Scottish Tune that inspired the Danish tune arr. by the Danish String Quartet The Dromer, which features at the end of the film.

Norse stories form the inspiration for this programme. Award-winning Irish composer Linda Buckley’s Aud draws on the Icelandic Sagas. Lillie Harris’ Elsewhen seeks to capture the strangeness, wonder, and melancholy of Orkney’s ancient sites, whilst in Carry His Relics, Orkney composer Gemma McGregor describes a journey along the St Magnus Way.

Orla Stevens‘ art from the project, inspired by music from Gemma McGregor, Lillie Harris and Linda Buckley, will also be on display at Lyth Arts.

Northern Stories Festival 2022 is a spectacular celebration of the stories of the Far North of Scotland, taking place across Caithness this October. 

‘Sharing the stories of the Far North of Scotland.’

Celebrating our ancient Nordic connections and our close ties to North America, the festival will connect the lochs and coastline of the North Highlands, the fjords of Norway and the Great Lakes of Canada. 

An exciting programme of online and in-person events will include an international line-up of performers and story-tellers from the Highlands, Scandinavia and Canada. With talks, workshops, films and exhibitions, there will be something for all the family to get involved in. 

You can view the full festival programme at https://lytharts.org.uk/events/category/northern-stories-festival/list/

Don’t forget, too, that Katherine and Arnhildur Valgarðsdóttir (piano) will be performing for the Orkney-Norway Friendship Association in Stromness Town Hall on 30th September at 7:30pm. More information on that here.

We look forward to seeing you at one or both of these events.

Performances of Sagas and Seascapes in Edinburgh

And so our run of Sagas and Seascapes at the Scottish Storytelling Centre as part of the Made In Scotland Showcase has come to an end and what a great run of performances we had! Three nights of practically full houses, each with their own energy. All were made to feel very welcome and we had Audio Description and captions available at our relaxed performance, which for me was the show with the most intimate vibe and connection with the audience.

It was amazing to see Craig Sinclair’s beautiful film in high definition on the big screen and people loved watching Orla Stevens creating the beautiful paintings which we had on show in the courtyard.

Click here to find out what others said about our performances.

Northern Edgelands by Orla Stevens

Orla’s trip to Orkney to film with Nordic Viola was just the start of her relationship with Orkney and sparked a whole series of works, now on show at the Macrobert Arts Centre at Stirling University until 25th September. It’s a beautiful show in a beautiful space and comes highly recommended. You can also view our Sagas and Seascapes film there.

Sagas and Seascapes goes to Caithness

Full details are yet to be released, but the film version of Sagas and Seascapes will be going to Caithness very soon, accompanied by Orla’s beautiful paintings. I will play a couple of pieces live and tell the stories behind our work.

I’m particularly excited to take this work to Caithness as it is, of course, part of our central character Aud’s story. It was in Caithness that her son, Thorstein was killed by the Scots and from where she set sail to Orkney en route to West Iceland. I’ll update you with performance details when they’re announced. In the meantime, enjoy “Aud” by Linda Buckley with art by Orla Stevens and film by Craig Sinclair.

Countdown to Sagas and Seascapes in Edinburgh!

So here we are, just over 2 weeks to our performance of Sagas and Seascapes as part of Made in Scotland at The Scottish Storytelling Centre at Edinburgh Festival Fringe. Performances are 15th-17th August at 20:30 and tickets are available now here. If you live too far away to travel to Edinburgh, then you can join in, too, with an online screening on 18th August at 19:00 followed by a live Q and A with me, Orla and three of the composers, Gemma McGregor, Lillie Harris and Eli Tausen á Lava. It’s free but ticketed, with tickets available here.

This will be our biggest performance of this programme to date. The music will be performed live with Craig Sinclair‘s beautiful film for the first time. The film includes Orla Steven’s specially commissioned artwork, spectacular film of Orkney and beyond and interviews with Orla and composers Gemma McGregor, Lillie Harris, Eli Tausen á Lava and Linda Buckley. This year there is new film footage with Eli’s Søgnin um Kópakonuna í 10 Myndum (The Tale of the Sealwoman in 10 pictures).

To find out more about what makes our performance so special, watch this video from Ed McKeon of Third Ear Music:

I know some of you particularly enjoy news of Nordic Viola’s travels in the Far North. I have plenty of news and reflections from my recent trip to Iceland and, in between all the Edinburgh planning, I’ll try to give you a longer read and some scenery, too!

We’re really looking forward to seeing you in Edinburgh. Bring along your stories of the Far North – we love hearing other people’s tales of the Far North, and some of them might even find their way into a future performance!

If you’re making a holiday out of your trip to Edinburgh this summer and can make it over to Stirling, or indeed you live in our area, then Orla Stevens also has a solo exhibition of her Orkney-inspired work at the MacRobert Arts Centre at Stirling University. It runs from 20th August for around a month.

Finally, don’t forget to have a quick look at our Sagas and Seascapes website which has loads of interesting features from our composers and artists. I’ve really enjoyed reading their perspectives on our work together.

Return to Orkney and a Recital in Iceland

Last week I travelled up to Orkney – not with Nordic Viola this time, but with the Royal Scottish National Orchestra for the St. Magnus Festival. Nevertheless, with our performance of Sagas and Seascapes at the Edinburgh Festival Fringe as part of the Made In Scotland Showcase just 2 months away, returning to Orkney a year after we filmed there was an emotional experience.

Passing the Old Man of Hoy which features in our film of Linda Buckley’s Aud and then rounding the corner of Hoy and seeing the mountains exactly as captured in Orla Steven’s painting to Elsewhen by Lillie Harris.

On Sunday I had time to travel to Rousay, a new island for me. The weather was wild, with gale force winds. I found myself wondering how Aud would have experienced this coastline back in the 9th century, what her emotions were as she passed the imposing cliffs on her way to a new life in Iceland.

Cycling on the south side of Rousay, we looked across Eynhallow sound towards the Broch of Gurness where Gemma McGregor reflected on the journey of St. Magnus to his death in Egilsay. The tidal races through the sound are famously fast, and we were treated to a view of them in full flow. Travelling back to Tingwall on the mainland, I saw St. Magnus’ Chruch on Egilsay for the first time. You can read more about the influence of Magnus’ story on Gemma McGregor over on our sister site, sagasandseascapes.com

I felt the ghosts of these ancient peoples all around me after working so intensively with Craig Sinclair over the last few weeks on new film for our first multimedia live performance of Sagas and Seascapes at the Scottish Storytelling Centre 15th-17th August. Book your tickets here. If you can’t make it to Edinburgh, we will also be screening it online on 18th August. Tickets are free here. The screening will be followed by a zoom Q and A with the composrs, artist Orla Stevens and myself.

Recital in Iceland

After briefly touching base, I’ll be travelling to Iceland for the first time since 2019 to perform in the Summer Concert Series at the beautiful Bláakirkjan in Seyđisfjörđur in the East Fjords on 6th July. I’m really looking forward to performing again with pianist Arnhildur Valgarđsdóttir in what I’m sure will be a special event. The last time I played in this gorgeous church with a wonderful acoustic was right at the start of my travels with Nordic Viola in 2016. Back then, I had no idea that Nordic Viola would grow into the project that it is now.

I’ve been enjoying repertoire new and old as I practise for the concert. I’ve been getting to know Jón Thorarinsson’s sonata, which was written originally for clarinet. It’s a delightful three-movement work, full of melody and some jaunty rhythms. Thorarinsson was actually born in Eiðar near Egilsstaðir, just up the road from Seyðisfjörður and a place I know very well!

On a much larger scale is Adrian Vernon Fish’s “Qaanaaq Sonata” inspired by the eponymous settlement in North Greenland. It’s a monumental work which challenges both players and moves from the starkness of the Arctic landscape, through a warm, lyrical melody ( melody is a real feature of Adrian’s music) and onto a wild and exhilarating dog-sled ride in a rather funky 13/8 rhythm. As I play, my thoughts will be with one of the driving forces in music education in Greenland, Per Rosing, who is currently in hospital in Denmark.

Whilst l’m in the East Fjords, I hope to have a few days’ holiday in Borgafjörđur Eystri on the north east coast and to catch up with friends in Egilsstađir.

I know many of you really enjoy following Nordic Viola’s trips to the Far North. It’s been a long hiatus and I hope you’ll enjoy hooking up with me and learning more about the music, cultures and landscapes of this most stunning and intriguing part of our beautiful planet. I can’t wait to travel North once more!

Sagas and Seascapes to feature in Made In Scotland Showcase in Edinburgh

Made In Scotland Showcase Launch

I am delighted and proud to announce that Nordic Viola’s Sagas and Seascapes has been selected as part of the Made In Scotland Showcase at Edinburgh Festival Fringe and we will be performing at the Scottish Storytelling Centre from 15th-17th August at 8:30pm. There will be also be an online screening of the film via the SSC website on 18th August at 7pm, followed by a Zoom Q and A with the principal creators on the project.

This will be the first time that we have performed the concert live with the film, which incorporates Orla Stevens‘ stunning artwork and documentary footage from Craig Sinclair of composers Gemma McGregor, Lillie Harris and Linda Buckley and artist Orla Stevens discussing their work in Orkney last summer.

The programme also features music from the Faroes by Eli Tausen á Lava and Kári Bæk. Orla Stevens has produced new artwork to asccompany Eli’s Søgnin um Kópakonuna í 10 Myndum (The Tale of the Sealwoman in 10 Pictures) which will be seen for the first time at the Fringe.

Visit our sister site, https://www.sagasandseascapes.com/ to book tickets and for much more interesting content on the project. You can also sign up to the newsletter to keep abreast of all the news in the run-up to Edinburgh. Tickets can also be booked here

You can here excerpts from the music we’ll be performing here:

We look forward to seeing you in Edinburgh!

Crowdfunders, workshops and more!

Crowdfunder

Lots of news to tell you this month! First of all, the great news that our Crowdfunder campaign that we have been running to raise money towards our performances of Sagas and Seascapes at Edinburgh Festival Fringe has been very successful. Thank you so much to all the generous people who have contributed to that. It means we can support our musicians properly with rehearsal and travel costs. I have also been able to commission Orla to paint us a new piece in response to Eli Tausen á Lava‘s Søgnin um Kópakonuna í 10 Myndum (The Tale of the Sealwoman in 10 pictures). More of that in a minute!

If you haven’t contributed yet and would like to, then you can still do so by clicking here. Additional money over £2000 will be put towards a CD recording which we are aiming to produce in 2023. Alternatively, if crowdfunding is not for you, remember you can help us by visiting our shop. (Payment via PayPal, or use the contact form with your requirements and I can arrange payment by card).

We’ve also received some generous pledges from three businesses local to me. Working within the community is very important to me, whether that’s close to home or when I’m resident in other communities when performing in the Far North, so I’m delighted to be able to offer a free workshop for children in Dunblane as a way of saying thank you to these donors. I’ll introduce you to our sponsors and tell you more about the workshops once I’ve finalised details with everybody.

Raising the profile of music by women

I’m also delighted to say that the Ambache Charitable Trust have once again agreed to support us for Edinburgh. Like Ambache, one of our goals is to raise the profile of women composers and in Sagas and Seascapes, we will once again be featuring the work of Gemma McGregor, Lillie Harris and Linda Buckley.

Workshop

On 5th March, Orla Stevens and I ran our first joint workshop, Tuning In To The Trossachs, in Aberfoyle in Central Scotland. We were blessed with a crisp, clear spring day and enjoyed the morning outside in the forests collecting sounds and making sketches. In the afternoon we gathered in the hall to draw our ideas together, making graphic scores from the sketches and making some sound sketches using found sounds, instruments and our voices. The emphasis was discovery, reflection and process rather than an end goal, but we are nonetheless pleased with the sounds we made, which capture the peace and beauty of where we were working. Have a listen here:

The Tale of the Sealwoman

Finally, a little more on that collaboration between Orla Stevens and Eli Tausen á Lava. Eli’s piece for flute and clarinet was a joint commission between the Spanish/Danish Aura Duo and Nordic Viola. Edinburgh will see its first live performance in the UK. The music is inspired by the legend of seals (selkies in Scotland) who change into human form on land. These legends are common throughout Norse and Celtic mythology, and you can find out more about them here.

Orla and Eli met for the first time via Zoom a couple of weeks ago. You can see some of their initial ideas in one of our crowdfunder updates below and also read more over on Orla’s website.

As you see, there is a lot going on with Nordic Viola just now. Our next key date will be the Made in Scotland Press Launch on 31st May so please do subscribe to keep up with all our news in the run-up to Edinburgh.

Sagas and Seascapes goes to Edinburgh – and a chance to help us on our journey!

We have some very exciting news for you today. Sagas and Seascapes will be going to Edinburgh Festival Fringe this summer for three performances from 15th-17th August at the Scottish Storytelling Centre on the Royal Mile. We will be part of a prestigious showcase of Scottish art, but I’ll save details of that for the official launch date of 31st May. Subscribe below to make sure we keep you up to date!

Live performance, art and more

For the very first time, we will be combining live musical performance of works by Gemma McGregor, Lillie Harris, Eli Tausen á Lava, Kári Bæk, Linda Buckley and the Danish String Quartet‘s wonderful arragement of “The Dromer” with Orla Steven’s specially commissioned art on screen alongside the music. There’ll be footage of Orla creating the paintings as well as film shot on location in Orkney by Craig Sinclair. The composers offer personal insights into their music as they converse together in Orkney at sights that inspired their music.

A chance to support us and collect some special rewards

Of course, more than anything, we hope you’ll be able to travel to Edinburgh to hear us play live in August, but we’d also like to invite you to play a key roll in our journey. We are running a crowdfunding campaign to raise £2000 between now and 2nd May to commission new art by Orla Stevens to accompany Eli Tausen’s wonderful Søgnin um Kópakonuna í 10 Myndum (The Tale of the Sealwoman in 10 Pictures) and also to support our musicians in rehearsal and for all the additional costs involved in taking 6 musicians through to Edinburgh.

Rewards

We have a few exclusive gifts at all levels of donation. Everyone who donates will be mentioned in our programme for the event. We also have everything from merchandise to signed posters to give away. If you are able to support us with a larger sum, we have limited edition prints of the new artworks that Orla will produce for the show for you and the offer of an open rehearsal where you can meet our musicians. These higher value offers are limited, so jump in quickly!

At the corporate level, we can feature your business logo in our publicity and websites for £200. Or perhaps you’d like to see your own community benefit? For £500 we are able to offer an art/music workshop for the school or community group of your own choice.

We really hope you can join in with us in this very personal way, and we look forward to meeting with you as we share our journey to Edinburgh together. Pledges can be made at: https://www.crowdfunder.co.uk/p/sagas-and-seascapes-at-edinburgh-festival-fringe-1

Sibelius’ En Saga – Dunblane Cathedral 28th November 3pm

The piece that inspired Nordic Viola’s “Sagas and Seascapes” is the piece that rounds off our series of three concerts that have taken us to Orkney, Shetland and now finally home to Dunblane.

This concert (tickets here) will be an event not to be missed, because whilst the material in the first version of Sibelius  En Saga dates back to his studies in Vienna during 1890-1891, this Septet version only received its first official performance in the Brahms Saal of the Musikverein, Vienna in June 2003.

So what’s the story behind the Saga? We know that melodies jotted down by Sibelius in Vienna ended up in the orchestral version of En Saga. We also know that in Spring 1891 he was working on an Octet and in September 1892 he mentioned a “Septet.” One month later he completed the first orchestral version of En Saga, which he stated was based on the Octet. The original Septet has not survived, but Gregory M. Barrett made a performing version based on the first orchestral version. I can’t say for sure, but I have a sneaking feeling that Sunday may just be its Scottish premiere.

What I love about this score is that it really brings out the folky element of this very Finnish-sounding melody, driven on by Sibelius’ wonderful ostinato rhythms. There’s so much colour and excitement in this score and it’s so much fun to play. Have a listen here in this revcording y the Turku Ensemble from Finland:

Speaking of premieres, our wonderful commission “Aud” by Linda Buckley, supported by the PRS Foundation’s Women Make Music programme, will receive its first mainland Scottish performance and Linda will be along to hear it. “Aud” traces the journey across the North Atlantic of the eponymous heroine, a 9th century settler of Iceland whilst simultaneously reflecting on how it felt to yearn to travel during lockdown.

Lillie Harris’ Elsewhen tells a more ancient tale yet, of the ancient monuments of Orkney and the stories they pass on to us across the ages. The music has a unsettling sense of eeriness reminiscent of standing near these stones and their all-knowing presence in the winter half-light.

Rounding out our programme are two arrangements of traditional tunes by the Danish String Quartet. Firstly the Unst Boat Song from Shetland,  which was set in the old Norn language and finally the Dromer, a Danish reel drawn from a Scottish melody.

And what of the story told by En Saga? Well, in the spirit of Nordic Noir, the underlying feeling is that all does not end well. Our violinist, Jacquie, has her own Saga, but she says it’s too horrid to share. Perhaps you can corner her in the cathedral and persuade her to tell all!

Orla Stevens’ Prints and Greetings Cards now available

It’s been a real pleasure and privilege to work alongside artist Orla Stevens on the Sagas and Seascapes project. Orla’s work interpreting music by Gemma McGregor, Linda Buckley and Lillie Harris added so much to our concert video for Orkney International Science Festival and proved to be very inspiring for myself and the composers.

Our time together in Orkney in July was very special. It’s not so often that a group of composers get together to work on a project on location in a beautiful place like this and especially so during a pandemic. As a performer I felt privileged to listen to their conversations and to watch Orla at work learning about the music and the stories that inspired the pieces. I then enjoyed following the progress of the paintings as Orla worked in her own experience of the landscapes as well as the music.

The whole project was brought together by video producer, Craig Sinclair, and included shots of Orla making the art set to the music that inspired it.

We hope to bring along the original paintings to our Dunblane concert on 28th November at 3pm. It’ll be very exciting to show them in front of the public with the music for the first time.

Orla has very kindly produced a special edition of greetings cards and fine art prints of the paintings and you can now purchase these directly via Nordic Viola at our new shop. Alternatively, you can visit Orla’s own website for these and much more. They’ll make perfect Christmas presents, so please do have a browse!

Dunblane Cathedral Arts Guild – Sagas & Seascapes

Sunday, 28 November 2021, 3.00pm – Sagas & Seascapes

Nordic Viola’s Sagas and Seascapes series culminates in Dunblane with our biggest ensemble yet as we perform Sibelius’ great tone poem, En Saga, in its original septet version.

Aud by Orla Stevens

Linda Buckley’s Aud, which was commissioned by Nordic Viola for Orkney International Science Festival, has been attracting a lot of attention since we first performed it online. It is currently a featured work in Creative Scotland’s #ClassicAll campaign and you can view a video performance of it here

Linda’s evocative score reimagines the journey of Aud the Deep-Minded from Norway and Ireland via Caithness, Orkney and Faroe to Iceland, where she was one of the early settlers in the 9th century. Linda wrote the piece during lockdown and, as well as telling the ancient story of Aud, the music is full of a sense of yearning to travel again to the Far North.

Elsewhen by Orla Stevens

Lillie Harris’ Elsewhen explores the mystery of the ancient standing stones of Orkney. You can hear Lillie talking about the piece onsite in Orkney here.

The programme is bookended by the Danish String Quartet’s delightful arrangements of the Unst Boat Song from Shetland and The Dromer, a Danish folk dance based on the Scottish reel “The Drummer.” Both these tunes are taken from the Danish String Quartet’s Last Leaf album.

The concert starts at 3pm. To avoid queues, please pre-register contact details for NHS Test and Protect on this link: https://www.dunblanecathedral.org.uk/event/10525272

Orla Stevens

I’m sure that a lot of you will be intrigued by the beautiful paintings above. They were specially commissioned by Nordic Viola for our Sagas and Seascapes series from Orla Stevens. Orla is currently resident in Callander, but grew up in Dunblane. She travelled with myself and the composers to Orkney to explore the landscapes and concepts behind the music.

Orla’s beautiful prints connected to the music will be available to order at the concert, alongside greetings cards with her beautiful images. If you can’t wait that long, you can also order them here.

Orla talks about her work on the project here: