Tuning In To The Trossachs Workshop this Saturday!

It’s less than a week now until Orla Stevens and I host our Tuning In To The Trossachs Workshop in Aberfoyle in the beautiful Loch Lomond and the Trossachs National Park in Scotland on 5th March.

I thought I’d just take a bit of time to tell you a little bit more about what to expect on the day in case you’re not sure whether to sign up.

Orla and I have spent the last year or so working on Nordic Viola’s Sagas and Seascapes project. We’ve become increasingly interested in how music influences art and vice versa. We also share a love of the outdoors, of northern landscapes in particular and the cultures that surround them and we want to share this with you.

Both of us have worked experimentally and are great believers in being able to express ourselves freely without worrying about “getting it right.” Our workshop will be very much exploratory, allowing you to paint and make sound in the way that expresses your feelings about being outdoors. We’ll encourage you to try both art and music. Orla got me drawing again after a 40 year break, because she gave me permission to work quickly and just draw what I felt without fear of judgement. If I can, you can!

For me, music is about so much more than playing the notes right. Even if you’ve never played an instrument, there are sounds all around you. You can make recordings and perhaps shape them into a soundscape, you can find objects lying around that create sound and you can use your own voice. Equally, if you want to write a good honest lyrical melody inspired by your surroundings, then that’s great, too.

We’ll aim to produce a graphic score and a short piece of music/sound art by the end of our day.

Our workshop is open to anyone aged 14 or over. It is fully accessible as even the outdoor part of the day has level access and parking. Just let us know in advance via Eventbrite or the contact form here, and we’ll arrange to meet you.

Tickets in advance from Eventbrite. Just 8 places left as of Monday, so sign up quickly!

I’ll leave you with a couple of short video clips where we talk about our work together.

Sagas and Seascapes Launches

2020 saw Nordic Viola’s first foray into online concerts with our popular Histories and Herstories video performance. As our lives open up and we can once more work in the same space, we are excited to announce our new and ambitious Sagas and Seascapes programme which, once again, we will be producing alongside the Orkney International Science Festival.

Norse stories and landscape around the northern sea-routes form the inspiration for this concert. Scottish-based Irish composer Linda Buckley’s Aud draws on the settlement of Iceland, while Lillie Harris’ sextet Elsewhen seeks to capture the atmosphere of Orkney’s ancient sites. In Carry His Relics for flute and viola, Orkney composer Gemma McGregor describes the journey of the remains of St Magnus from Birsay to Kirkwall, along the present-day St Magnus Way. Eli Tausen á Lava from Faroe reflects on legends of the Selkies in Søgnin um Kópakonuna í 10 Myndum for flute and clarinet and his compatriot, Kári Bæk, depicts the ever-changing sea in Wogen. The Danish String Quartet’s dynamic arrangement of The Dromer offers a rousing finale.

Audiences loved film footage of the Far North last year as well as the chance to hear the composers speak about their music, so once again we’ll be working with videographer Craig Sinclair. Composers Linda Buckley and Lillie Harris will travel to Orkney with me to join Orcadian composer Gemma McGregor on location. The composers will share their impressions of the landscapes and ancient sites that inspired their music, offering an insight into their creative processes.

A new and exciting innovation this year is inviting landscape artist Orla Stevens onto the project. In common with the music creators on the project, Orla’s work is influenced by expressive responses to sounds and images of the landscape, as well as the emotional experience that being in nature has on the psyche. In conversation with the composers and incorporating her own emotions on being onsite in Orkney, Orla will develop a series of paintings expressing the emotions of the sagas and seascapes explored through music as the programme mirrors Aud’s journey from Orkney, through the Faroes and finally settling in North-West Iceland.

Making music with young people is fundamental to Nordic Viola. Responding to the challenges of travelling during the pandemic, we’ve decided this year to unite young people from around the North Atlantic by running a competition to write a tune for us. We’ll select up to 20 young people to join in online workshops working with myself, Gemma McGregor and Faroese trombonist Dávur Juul Magnussen to develop their ideas. From these workshops, one piece will be chosen to feature in our main concert video and 5 others will feature in a short video of the project in the autumn. More information on that very soon!

I’ll be keeping you up-to-date as the project progresses. If you want to be amongst the first to hear about our recording sessions next month and our on-location filming in Orkney in June, then why not subscribe?

This exciting and ambitious programme has been made possible through the generous support of the following organisations:

Creative Scotland for general project support

for supporting our commission of linda Buckley’s “Aud”

for supporting the competition and workshops

our partners and hosts