I am delighted and proud to announce that Nordic Viola’s Sagas and Seascapes has been selected as part of the Made In Scotland Showcase at Edinburgh Festival Fringe and we will be performing at the Scottish Storytelling Centre from 15th-17th August at 8:30pm. There will be also be an online screening of the film via the SSC website on 18th August at 7pm, followed by a Zoom Q and A with the principal creators on the project.
The programme also features music from the Faroes by Eli Tausen á Lava and Kári Bæk. Orla Stevens has produced new artwork to asccompany Eli’s Søgnin um Kópakonuna í 10 Myndum (The Tale of the Sealwoman in 10 Pictures) which will be seen for the first time at the Fringe.
Visit our sister site, https://www.sagasandseascapes.com/ to book tickets and for much more interesting content on the project. You can also sign up to the newsletter to keep abreast of all the news in the run-up to Edinburgh. Tickets can also be booked here
You can here excerpts from the music we’ll be performing here:
Back in 2016, Seyđisfjörđur in East Iceland was the first stop on my sabbatical. Chosen on the suggestion of friend and Iceland expert, Cathy Harlow because of it’s rich and varied cultural life, (and also for its direct services to the Faroe Islands, which I visited on the same trip) the people in the village welcomed me into their community. I gave short performances in the schools, masterclasses in nearby Egilsstađir and also performed in the magnificent Bláakirkjan (blue church) with local violist, Charles Ross. Bláakirkjan is the most iconic building in Seyđisfjörđur, its colourful blue and white facade standing at the end of the rainbow road. Inside, it is a bright and intimate space, built of wood and gently resonant.
I therefore can’t wait to return to Seyđisfjörđur to perform in the Bláakirkjan summer concert series on 6th July. The series has become one of the major cultural events in East Iceland. It offers a varied programme of music where you can see many of the country’s most interesting musicians as well as international artists. I’ll be performing with Arnhildur Valgarđsdóttir, who I also met in 2016 in Reykjavik. Adda trained in Scotland and currently works as a highly respected pianist, organist and choirmaster in Reykjavik. In fact, if you live in Central Scotland, you’ll be able to catch her on tour with her choir this August.
We’ll be taking our audience on a journey round the North Atlantic, starting in Orkney with Gemma McGregor’s Hardanger-fiddle-inspired “Joy” and Peter Maxwell Davies’ much-loved “Farewell to Stromness.”
After a reflective pause on our journey with Arvo Pärt’s “Spiegel im Spiegel”, we visit our host country with Jón Thorarinsson’s short viola sonata. Thorarinsson studied music at the Reykjavík Music School and with Paul Hindemith at Yale University. He was head teacher from 1947 to 1968 at the Reykjavík Music School, head of Sjónvarpi’s art and entertainment department from 1968 to 1979, as well as numerous other projects in the field of music. Full of character, this sonata shows off the singing tone of the viola with long, cantabile lines, a passionate, at times bleak second movement and a final Rondo with lively jazz rhythms.
Adrian Vernon Fish’s Qaanaaq Sonata is a much more substantial piece. It’s inspired by the main town of that name in the northern part of the Avannaata municipality in northwestern Greenland. Adrian and I share a love of Greenland and Adrian’s music depicts so much about life there: the beauty, but also the barrenness and harshness of the landscape, the warmth and humour of the people and the rollicking energy of a dogsled ride that Adrian was lucky enough to experience there.
That’ll be the end of our official programme, but we might just have a little treat from Shetland to throw in at the end, too.
Once the concert is over, I’m looking forward to exploring the hills around Seyđisfjörđur: the high mountain lakes and the streams of waterfalls tumbling down the valleys. The eerie green murk of the Lagarfljót up at Egilsstađir and the unique woodland along the lochside at Hallormsstaðaskógur Doubtless there’ll be more inspiration to be gathered there for future projects!
A creative music workshop for 10-14 year-olds exploring the sounds of the sea and its creatures! with Nordic Viola
We will explore the sounds of the sea and its environment using musical instruments, recorded animal and bird sounds and our own voices, and think about the effect humans have on wildlife in our seas.
The workshop will take place in the upstairs gallery at Weigh Ahead on Dunblane High Street.
In the morning we will learn a sea jig that we can perform outside Weigh Ahead as the Dunblane Road Race runners pass.
After a short lunch on the drying green, we will work together creatively on a short musical seascape.
No musical experience required, though please bring an instrument if you have one. We will provide simple instruments. Bring along something that could become sea waste – e.g. plastic bottle, twine, old plastic tubs/buckets.
Nordic Viola is grateful for support from Dunblane businesses Weigh Ahead, Green Clean and Allanview Windows and Doors Ltd whose generous donations are enabling us to offer this workshop free of charge. Voluntary donations will contribute to Nordic Viola’s performances at Edinburgh Festival Fringe this summer.
Lots of news to tell you this month! First of all, the great news that our Crowdfunder campaign that we have been running to raise money towards our performances of Sagas and Seascapes at Edinburgh Festival Fringe has been very successful. Thank you so much to all the generous people who have contributed to that. It means we can support our musicians properly with rehearsal and travel costs. I have also been able to commission Orla to paint us a new piece in response to Eli Tausen á Lava‘s Søgnin um Kópakonuna í 10 Myndum (The Tale of the Sealwoman in 10 pictures). More of that in a minute!
If you haven’t contributed yet and would like to, then you can still do so by clicking here. Additional money over £2000 will be put towards a CD recording which we are aiming to produce in 2023. Alternatively, if crowdfunding is not for you, remember you can help us by visiting our shop. (Payment via PayPal, or use the contact form with your requirements and I can arrange payment by card).
We’ve also received some generous pledges from three businesses local to me. Working within the community is very important to me, whether that’s close to home or when I’m resident in other communities when performing in the Far North, so I’m delighted to be able to offer a free workshop for children in Dunblane as a way of saying thank you to these donors. I’ll introduce you to our sponsors and tell you more about the workshops once I’ve finalised details with everybody.
On 5th March, Orla Stevens and I ran our first joint workshop, Tuning In To The Trossachs, in Aberfoyle in Central Scotland. We were blessed with a crisp, clear spring day and enjoyed the morning outside in the forests collecting sounds and making sketches. In the afternoon we gathered in the hall to draw our ideas together, making graphic scores from the sketches and making some sound sketches using found sounds, instruments and our voices. The emphasis was discovery, reflection and process rather than an end goal, but we are nonetheless pleased with the sounds we made, which capture the peace and beauty of where we were working. Have a listen here:
The Tale of the Sealwoman
Finally, a little more on that collaboration between Orla Stevens and Eli Tausen á Lava. Eli’s piece for flute and clarinet was a joint commission between the Spanish/Danish Aura Duo and Nordic Viola. Edinburgh will see its first live performance in the UK. The music is inspired by the legend of seals (selkies in Scotland) who change into human form on land. These legends are common throughout Norse and Celtic mythology, and you can find out more about them here.
Orla and Eli met for the first time via Zoom a couple of weeks ago. You can see some of their initial ideas in one of our crowdfunder updates below and also read more over on Orla’s website.
As you see, there is a lot going on with Nordic Viola just now. Our next key date will be the Made in Scotland Press Launch on 31st May so please do subscribe to keep up with all our news in the run-up to Edinburgh.
We have some very exciting news for you today. Sagas and Seascapes will be going to Edinburgh Festival Fringe this summer for three performances from 15th-17th August at the Scottish Storytelling Centre on the Royal Mile. We will be part of a prestigious showcase of Scottish art, but I’ll save details of that for the official launch date of 31st May. Subscribe below to make sure we keep you up to date!
A chance to support us and collect some special rewards
Of course, more than anything, we hope you’ll be able to travel to Edinburgh to hear us play live in August, but we’d also like to invite you to play a key roll in our journey. We are running a crowdfunding campaign to raise £2000 between now and 2nd May to commission new art by Orla Stevens to accompany Eli Tausen’s wonderful Søgnin um Kópakonuna í 10 Myndum (The Tale of the Sealwoman in 10 Pictures) and also to support our musicians in rehearsal and for all the additional costs involved in taking 6 musicians through to Edinburgh.
We have a few exclusive gifts at all levels of donation. Everyone who donates will be mentioned in our programme for the event. We also have everything from merchandise to signed posters to give away. If you are able to support us with a larger sum, we have limited edition prints of the new artworks that Orla will produce for the show for you and the offer of an open rehearsal where you can meet our musicians. These higher value offers are limited, so jump in quickly!
At the corporate level, we can feature your business logo in our publicity and websites for £200. Or perhaps you’d like to see your own community benefit? For £500 we are able to offer an art/music workshop for the school or community group of your own choice.
I will be taking part in two workshops over the next month or so.
Soundwalk with The Bard of the Birds – 27th February 2pm – Online
The Soundwalk with the Bard of the Birds is part 2 of the Modern Chants project run by composer Ruta Vitkauskaite. Part 1 was an online concert in November where, following the many voices of the ancient goddess Cailleach, we ventured on a journey into the Gaelic and Old Norse imagery with poems by Dawn Wood. Music was by Ruta Vitkauskaite, Gemma McGregor, and Emily Doolittle and was inspired by winds, lochs, birds and bagpiping. You can hear some of the music in this playlist.
As spring emerges, The Bard of the Birds invites you to join her for a new music and storytelling experience where you will experience your surroundings in a new way.
Whether you live in the city or countryside, your days are beginning to grow longer as spring emerges and nature finds her way through cracks in the walls and pavements, and through sunlight and birdsong. It can be easy to miss these details.
The event starts on Zoom with an introduction from The Bard of the Birds. You will then be invited to take a walk (approx. 45 min) around your area. You don’t need to travel to any particular location. Indeed, if you feel more comfortable, you can even enjoy the soundwalk from inside your own home, looking through the window at the world outside.
On your walk, you will listen to a soundtrack featuring poems and stories by Dawn Wood, nature-inspired music by Ruta Vitkauskaite, Gemma McGregor, and Emily Doolittle, performed by clarinettist Joanna Nicholson and violist Katherine Wren with electronic sounds by Ellie Cherry and sound design by Chris Adams.
When you return from your walk, we will meet you back on Zoom and invite you to share your experiences with us.
Many of you will have seen the beautiful work that Orla Stevens created for Nordic Viola’s Sagas and Seascapes project. Working together has opened up many new avenues for both our work and we’re really excited to share with you some of the new ways of working that we’ve discovered.
We will be leading an art and music workshop in Aberfoyle in the beautiful Loch Lomond and Trossachs National Park, close to our homes.
We will spend the morning outdoors watching and listening to the nature around us. We will collect sounds and make sketches as well as looking for objects that we can use to draw and to create sound.
In the afternoon we will split into 2 groups working in turn with Katherine and Orla at the Memorial Hall, Aberfoyle. Katherine will explore ways of sounding the landscape using instruments, our voices, found objects and recorded sound. We will learn about the elements that make up music and about how these help us to structure sound.
Orla will lead the drawing element of the workshop, exploring intuitive and expressive approaches to sounds and landscapes using both found objects and traditional art materials to create artworks and graphic scores.
At the end of the afternoon we will come together to explore how we can use graphic scores (a visual alternative to reading musical notation) to explore how shape, colour and composition can inspire sounds, and vice versa, finishing with an informal group performance.
Age Range: age 14-adult
Experience: No prior experience required, but if you play an instrument, please bring it along. Art materials will be provided.
Tickets are selling fast, so log on to Eventbrite here to book your place.
Back in June we announced the winners of our Seastories Competition, which was open to young people in the Northern Isles, Faroe Islands, Iceland and Greenland.
As we approach our online concert for Orkney International Science Festival this Friday, it’s time to introduce you to the fabulous tunes that our winners and runners up wrote on the theme of the sea.
Cumliewick Shore by Victoria Byrne-McCombie
First up is accordionist Victoria Byrne-McCombie. As we will be performing “Sagas and Seascapes” live in Shetland Museum Boat Hall on the 25th September, we decided to award a special prize to the best tune from Shetland, with the winner playing with us live in concert. You can buy tickets for the concert on Eventbrite here.
Victoria’s piece, Cumliewick Shore, depicts a beach near Sandwick on Shetland Mainland. Victoria said, “When I was thinking about the theme of the sea I was trying to think of a way that I could interpret the theme into a tune and I thought of the melodic tide and how it moves in, the way it comes in and out, so I knew here that I wanted to have a note through the tune that keeps coming back to and that was like the melodic movement of the tide. For the second part I took the same note of E as the structure but went higher and started changing the rhythm as the sea is much stronger than people think and the tide can change and weather (especially in Shetland!) at any time.”
Victoria also sent us “Just another double-peg day”, a double-peg day being the term the Northern Isles use for a windy day, which she will also play at our concert.
Korona Trot by Anni Helena Lamhauge
Coincidentally, our overall winner is also an accordionist. Anni Helena Lamhauge lives in the Faroe Islands and her winning piece, “Korona Trot” was written as she looked out over the sea from her home as she quarantined. The title is a play on words as “trot” in Faroese means to be tired of something. You’ll be able to watch Anni Helena playing her tune in our online concert, “Sagas and Seascapes”, on Friday 3rd September from 21:00BST.
Anni Helena also sent us a second tune, Tra Le Linee, which is a characterful minor key waltz.
Fjøra by Ronja Gaard Hansen
Finally, our runner up and youngest finalist is Ronja Gaard Hansen, also from the Faroe Islands. Ronja’s waltz for fiddle and piano, “Fjøra” (seashore), reminds her of happy days spent down by the sea on the long summer days.
If you live in the East of Scotland and are aged 12-16, I will be running another “Seastories” workshop with artist Orla Stevens in conjunction with Hospitalfield and Aproxima Arts in Arbroath next Sunday, 5th September. More information and details of how to sign up here.
Alex and I have composed new pieces around the poetry from Lesley’s recent collection, ‘Disappearance’. This performance explores the theme of the voyage of the 19th-century whalers to the polar seas, and the cultural aftermath of the whaling industry.
Our music includes sounds recorded on location in Greenland and Iceland melded with our improvisations and including live electronics. The programme is framed by traditional tunes from the North Atlantic Whalers who travelled from Shetland.
A special screening of CETACEA will follow the live performance.The trio’s music and words meet with marine biologist Michael Scheer’s recordings of pilot whales and Alexander and Nicole Gratovsky’s underwater footage to create the piece CETACEA. This film proved to be one of the most popular events in GIOFest last November. You can listen to the music below:
This week is a landmark week for Nordic Viola in several respects. First and foremost, it’s the first time we’ve headed north since UHI’s Shoormal Conference in September 2019. (Little did we know then what was coming.) It seems an age ago and yet, in the scheme of things, 2 years isn’t so long.
So what are we up to? We have a team of composers (Linda Buckley, Lillie Harris and Orkney-based Gemma McGregor) and a video producer (Craig Sinclair) going to Orkney to film content for our online concert for Orkney International Science Festival, which will be premiered on 3rd September. It’s quite an operation in the covid age, but a process that musicians and producers alike are having to get used to in this strange new world. Pre-travel testing, health questionnaires, rigorous planning to allow for safe travel, accommodation and distancing whilst working.
Hopefully all will go to plan, we can enjoy the amazing history and scenery that Orkney has to offer and produce some exciting and engaging content.
Another landmark moment is working with a visual artist, Orla Stevens. Orla will interpret the landscapes and seascapes around us as well as interpreting the emotional responses of the composers as they explore the places that inspired their music.
Finally, and perhaps most importantly, the 2nd July marks Nordic Viola’s return to live performance and I am so happy that this should happen in the Northern Isles. Gemma McGregor and I will perform a programme of music for flute and viola entitled “Birds and Landscapes of the North.” We will play some of our own music as well as music by Ailie Robertson and Electra Perivolaris, two of the most exciting young composers on the Scottish scene. The Faroes and Denmark will be represented with pieces by Kári Bæk and Kristain Rasmussen, who is currently studying in Aberdeen. There’ll also be traditional music from Shetland and Orkney and a brand new tune composed for the occasion by Orkney fiddler, Fiona Driver.
The end of May saw Nordic Viola playing together under the same roof for the first time since March 2020! And what a way to start, bringing our new commission, “Aud” by Linda Buckley, to life for the first time as we recorded “Sagas and Seascapes” for Orkney International Science Festival 2021. It’s always an amazing feeling to realise a new work and I love that collaborative process of working with a composer as we work together to unite the concepts of what they imagined as they created the music and how we interpret those dots as performers.
Covid made that experience slightly unusual as we went straight into the recording studio with “Aud” and still haven’t heard the complete score. I’m on absolute tenterhooks whilst Linda and our amazing recording team, Hedd Morfett-Jones and Simon Lowden work their magic and unite musicians with the electronic soundtrack.
Already the music has such a strong sense of journeying, depicting as it does Aud the Deep-Minded‘s journey from Ireland via Caithness, Orkney, and the Faroes before settling in Iceland. There is so much energy in the shifting textures and a sense of the music “flickering” through the distinct timbres of the three string instruments and the clarinet. It’s easy to think of string instruments as one body, but Linda’s writing really highlights how the colour of each pitch can vary across the three instruments.
There’s also a strong sense of yearning in the music – perhaps for that very human desire to be on the move and to explore that so many of us have missed during lockdown.
Søgnin um Kópakonuna í 10 Myndum (Faroese: the Legend of the Seal Woman in 10 Pictures) is inspired by a set of 10 drawings by Faroese artist Edward Fuglø, which were originally drawn for the 2007 stamp issue titled Kópakonan (the Seal Woman).
Edward Fuglø’s drawings illustrate the Faroese legend of a female selkie, a mythological Ecapable of transforming from seal to human by shedding its skin, who is forced to live as a human when a young man from the village of Mikladalur steals her sealskin.
Søgnin um Kópakonuna í 10 Myndum was commissioned by Aura Duo and was composed with the support of Koda Kultur. The piece was due to be premiered in the Faroes in 2020/1 but has had to be postponed due to Covid. We’ll be introducing Eli and the Aura Duo to you in August.
Elsewhen by Lillie Harris
In our biggest ensemble to date, we recorded Lillie Harris‘ “Elsewhen” an incredibly eery, almost primitive at times (think stomping, Rite-of-Spring-style chords) depiction of Orkney’s prehistoric monuments and how they have come to us through time. “Elsewhen” is written for flute, clarinet and string quartet and, as well as its eery textures and footstamping rhythms, it features yearning melodies in the wind instruments and violins.
Lillie is an old friend of Nordic Viola, writing my first commission, “AND” for solo viola. She has an uncanny way of capturing the essence of a place, sometimes prior to even visiting it. “Elsewhen” was originally composed for the St. Magnus Composers’ Course in 2017.
As well as our audio team, we had Craig Sinclair working on video and Matthew Smith on lighting and, as you can see above, they created a stunning stage for us to work on. We consider ourselves very lucky to have been able to record in the RSNO’s purpose-built New Auditorium.
Filming in Orkney
Craig is now in the driving seat as the composers, Linda Buckley, Lillie Harris and Gemma McGregor head to Orkney to capture footage of the landscapes, monuments and tales that inspired their music. Craig and I first worked together on “Histories and Herstories” during lockdown last year. Despite being reliant on stock footage, I loved how he matched the rhythm of the music with film and I’m eager to see how much more can be done when he is set free to film on location.
In another first for us, the emotions of the composers as they explore these historic sites and experience the nature and seascapes of Orkney will be captured and interpreted by landscape artist Orla Stevens. Orla, too is fascinated by seastories and landscapes and often captures the energy of the sea in paintings with a considerable textural element to them. She is also a keen musician and is interested in exploring the parallels between rhythm in music and art. I’m very excited and intrigued to see how she interprets these musical worlds.
We’re at the halfway point in our Seastories Competition. We’ve received some very imaginative entries from Shetland, the Faroes and Greenland. Last Saturday Gemma McGregor led our first international zoom workshop alongside myself and Faroese trombonist and, on this occasion, interpreter, Dávur Juul Magnussen.
We explored ways of creating music about the sea and the techniques we could use to expand our musical ideas. We also took time to share our experiences of the sea in our home countries and explored common stories, such as legends across the North Atlantic about seals, and also explored Norse words that have survived in dialect in the Northern Isles. At a time when travel is nigh on impossible, I hope we were able to help the young people imagine a world beyond their own shores and to connect with others whose cultures overlap with ours.
We’ll announce our competition winners next week.
Live in Orkney
I’ll leave you with a wee teaser – whilst I’m in Orkney, I’ll be performing in a programme entitled “Birds and Landscapes of the North” with composer Gemma McGregor on flute. We’re in Stromness Town Hall on Friday 2nd July at 7:30pm and you can buy tickets here. Tickets are strictly limited due to Covid, so you need to book in advance.
More on the programme next time.
As you can see, there’s a lot happening with Nordic Viola at the moment. If you want to stay up-to-date, you can subscribe here:
Finally, I’d like to thank our funders: Creative Scotland, PRSF Women Make Music for supporting Linda Buckley, The Royal Philharmonic Society Enterprise Fund for allowing me to learn more about video alongside Craig Sinclair and the William Syson Foundation for supporting our education work.