A few people have been asking about what we’ll be playing in Glasgow next Sunday, so here’s a sneaky preview. As well as the music, there will be readings to set the scene and give a flavour of life and culture in the Far North.
The names of the composers may be unfamiliar to you – they were to me 18 months ago, too! They are, however, well-known in Nordic musical circles. We have played to audiences of all ages, so bring your children, too. There’s a huge variety of styles – something for everybody! Still not sure, well here’s what our Dunblane audience had to say in October:
“What a journey it was, both literary and musically. You conveyed your wonder and fascination with the Nordic lands in such an absorbing way. I think the whole audience was hooked!”
“Loved it – well done! I especially loved Lillie’s piece.” “Lovely concert. Fab playing and some really interesting music. We really enjoyed it and it was good to have such a good turnout.” “Well done for a cracking concert.”
We begin in the Faroes with a traditional hymn tune and listen as the islands move through spring and into summer with Kári Baek’s Vár Trio and Kristian Blak’s remarkable piece for seabirds and viola, Drrrunnn.
Winter hits Shetland in Lillie Harris’ depiction of a raging storm, AND, followed by a moonlit night imagined by Adrian Vernon Fish in Uyeasound Nocturne. Summer returns to the Northern Isles in contemporary Shetland fiddler Margaret Robertson’s tunes Wilderness and Shaela and we finish the first half with Peter Maxwell Davies’ ever-popular Farewell to Stromness.
After the interval we travel to the Far North with a set of Icelandic folk songs arranged by Þorkell Sigurbjörnsson. The two sides of the dark months are depicted in my own Winter Melancholy and in the wonderful, dancelike Prelude from Poul Ruder’s Autumn Collection.
Our concert ends in Greenland with Arnannguaq Gerstrøm’s playful description of winter, Ukioq, which brings back many wonderful memories for me of being out in the snow in Greenland in February as the days rapidly lengthened. This is followed by an improvised reflection on a traditional Inuit tune. The journey comes full circle with a set of traditional tunes about Greenland from Shetland, highlighting the common seafaring heritage of the islands of the North.