One year ago I was about halfway through the first phase of my sabbatical. After two wonderful weeks in the Faroes, I’d just returned to Iceland and was preparing for a concert in the beautiful Bláa Kirkja in Seðisfjörður.
It’s perhaps fitting, then, that the coming month is going to be one of the busiest yet for Nordic Viola.
Composing the North!
Things kick off on 25th September in Dunblane High School. Flautist Helen Brew and I will be spending the morning working with four Higher Music students on a composition workshop. Using sounds recorded in Greenland, the Faroes and perhaps even Dunblane, we’ll be exploring how we can use sounds from the natural world to inspire our music making. Maybe we’ll use live sounds in our pieces, or maybe we’ll try imitating them on our own instruments – it’ll be up to the students. We’ll also look at incorporating elements of traditional music into compositions.
Dunblane School Orchestra
After school, Helen and I will work on some music from Iceland, Orkney and Shetland with the school orchestra. I’m sure we’ll have a lot of fun playing together and hopefully whet the students’ appetites for our concert the following Sunday.
Dunblane Cathedral Concert
The concert is in Dunblane Cathedral at 3pm on 1st October and is promoted by the Cathedral Arts Guild. We have a brand new piece by Greenlandic composer, Arnannguaq Gerstrøm. It’s called “Ukioq”, which is Greenlandic for “Winter”. Arnannguaq has created some wonderful “icy” effects from flute, viola and bassoon. I love the way that, as well as the sterner aspects of winter, there is a lot of playfulness in the piece. Alongside this lively new piece there’ll be traditional tunes from the North Atlantic and possibly even a mystery guest!
Aberdeen Sound Festival
Later in October I’ll be at the Sound Festival in October, exploring whether we can pin down a “sound of the north.” More on that nearer the time.